Posts tagged “GHXST

This consumed my life for nearly 72 hours straight

My new portfolio.

Only 31 photos to keep it short, sweet and expresses a full range of event, portraiture and fashion photography.

I’m New York City based. If anyone needs an event photographed in a unique and bold style, please feel free to review the new portfolio to see if I’m the right fit for you. If I am, contact me! I’m still booking for the summer.

Click this LINK to go there.

Screen shot 2013-06-09 at 8.22.30 PM


1 Hour Free Photo Shoot Offered to Bands (DJs OK)

Hi,

I’m a working photographer based in New York who’d like to photograph your band in one hour or less. There’s no catch. This is a free offer.

My goal is to add more band photography to my portfolio and give you badass pictures for promotional use (crediting me is all I ask). Sessions will be one hour or less. I prefer to go to you or an environment that you feel you own. I’ll bring the lights and camera.

I’m offering this to only 5 artists. My style is moody, surrealist and based in ghost photography, wet plate, and other classic methods. If this fits your style, email me the following: an online link to a site so I can hear your music, short bio and when you’re best available to discuss details.

EMAIL: cdetres@gmail.com

My schedule is pretty packed the next few weeks but I’ll make sure to reserve some time for you.

My portfolio is http://www.carlosdetres.com/

*Share this if you know someone who’d be interested.

Looking forward to hearing from you!

Tim Fite (published by Performer Magazine)

Tim Fite (published by Performer Magazine)

GHXST (click to enlarge) published by The Whiskey Dregs

GHXST (click to enlarge) published by The Whiskey Dregs


Another Shot of GHXST (the cutting room floor)

This should have been included in the first post I made about shooting with GHXST but I think I excluded it because the entire band wasn’t in the frame. Either way, it’s a fine shot. Once again, this is all a repeating flash technique and not Photoshop. I explained how I got this shot HERE.

Click to make it bigger and better.


I Died For Beauty — The TV Version

Music by GHXST
“Deth Valley”
ghxstmusic.bandcamp.com

A catharsis in pictures.


A Little of The Grudge. A Little Pulse. All GHXST

You can skip to the pictures and/or read about how I got the first shot and why I composed the others the way I did.

Here’s an editorial shoot of GHXST I did for The Whiskey Dregs. As soon as I saw the name of the band and heard their music, I thought, “This couldn’t be more perfect if anyone tried.” I wanted to base this shoot on the films Pulse and The Grudge — two innovative films that created creepy atmospheres and used subtle touches to send shivers down your spine. I wanted to do that with GHXST because…it was appropriate.

In order to get that stuttering effect on a single frame, I knew that using the repeating flash technique was the way to go.

I prepped for this shoot by learning everything (trial and error) I could about repeating flash on Nikon’s SB-900 and SB-600, which is difficult because there actually isn’t a lot of info about this technique…probably due to it being a pain in the ass. Who wants to do calculations on a set?

The advantages of using the camera and flashes on manual was that I had set up this shot at my apartment the night before by measuring distance, power, and focal length. This shoot was to take place at the GHXST’s practice studio, which means I would also have control over the lights.

For repeating flash, you should knock out the light as much as possible and compose your subjects in front of a very dark background. This is because the flashes give off so much light that it could easily fudge up a shoot if shot in front of a lighter background. Imagine a club with the strobe lights going off. That’s what it looks like so the camera’s sensor (CMOS) is absorbing ALL OF THIS. Go dark or go intentionally bright.

Once I got to the band’s studio in Williamsburg, I was all ready and set up to go. Put the flashes on stands, set up my camera on a tripod (VERY important for repeating flash technique because you have to keep the shutter open a while), and fired away.

All of this for ONE single shot but ONE single shot that rocks.

Thanks to Carly Sioux for helping me with the lights on this project. Thanks also to Jerome of Desire Records (lovely music). I’ve mentioned this first picture before in a previous post but I’ve gone into much more detail about it in this one.

Here’s the link to the interview with GHXST over HERE.

The Grudge

Pulse

Cherubs with knives.


Sneak Peek — GHXST!

Okay, I couldn’t wait for this to go to press (online) for the Whiskey Dregs. I’m not a patient artist. Here’s a sneak peek of the interview/photo series that’s coming to the Dregs.

Thanks to GHXST for being fun, generous and nice. I am a hundred times grateful for their collaboration on these photos. A very special thanks to photographer, Carly Sioux for helping with this project and participating in the wonderful creative vibe shared by all.


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